Her steely, understated approach won praise when playing Anne Boleyn in Wolf Hall and now Foy is taking on the role of Queen Elizabeth II in a new drama
Some castings seem so obvious in retrospect. Pictures released this week show Claire Foy playing Queen Elizabeth II on her wedding day in 1947, and just as you cannot picture the older Elizabeth as anyone other than Helen Mirren, when The Crown, an ambitious 60-part Netflix drama, comes out next year, the younger version will probably be forever linked with Foy.
It is not just in the facial similarities; they both have the same tiny physical stature, but with a steely, slightly terrifying core, a thousand words summed up in a single glance.
She is not, of course, Foy’s first queen. As Anne Boleyn in the BBC’s recent stunning adaptation of Hilary Mantel’s Wolf Hall, Foy had some of the best reviews of her career. Until Wolf Hall, she had been working steadily, but without the hype that many young actors at a similar point in their careers would attract. There was something quieter about her approach. She always seemed happier to be getting interesting roles, rather than boosting her own profile or becoming a ‘star ’. Her private life – she is married to the actor Stephen Campbell Moore and they recently had their first child – was similarly low key, and hardly tabloid fodder.
In interviews, she has said she is not interested in trying to break Hollywood and has never been comfortable being photographed: “I’m too conscious of looking like a dick. That’s the difference between a star and a normal person. I’ve never been someone who walks into a room and people gasp.” She is “not fussed” about exposure: “I’m never going to be a film star and I’m not chasing it. I’m very happy playing interesting parts.” It is an attitude that will work in her favour in the long run, though The Crown will almost certainly catapult her into another level of fame. Continue reading Claire Foy: an actor bringing a subtle talent to majestic roles
Foy is unforgettable as doomed queen Anne Boleyn in the six-part BBC adaptation, to be broadcast later this month
By Gabriel Tate
Claire Foy has been thinking about babies a lot recently. The reason is plain as soon as the 30-year-old walks into her publicist’s office. She’s unmistakably, gloriously pregnant (her first child with new husband and fellow actor Stephen Campbell Moore), and, with my own new parenthood looming imminently, I can’t help gasping in admiration. We then spend a frankly unprofessional amount of our allotted time sharing assorted hopes and fears before agreeing it might be best for our respective careers if we talked shop.
Foy’s latest role, as Anne Boleyn in the BBC’s Wolf Hall, means this segue isn’t as awkward as it might have been: Boleyn’s fate was determined by her fecundity. As to Anne’s psychology, however, she remains a conundrum. It’s no disservice to Foy, Hilary Mantel, or Peters Straughan and Peter Kosminsky, who have written and directed the six-part adaptation of Mantel’s Booker-winning diptych about the life of Thomas Cromwell (Mark Rylance), to suggest that she’s as unknowable at the end of the BBC’s six-part Wolf Hall as she was at the outset. Continue reading Claire Foy interview: The ‘Wolf Hall’ star on politics in the Tudor court and Hollywood
Added two photos from the British Academy Television Craft Awards 2009, the Russian poster for Season of the Witch and two brand new Wreckers stills.
Wreckers is a drama with a dark, erotic heart, and a unique twist on the theme of the returning soldier.
A dark tale of love, desire and secrets, between brothers and a new bride. Starring Claire Foy, Benedict Cumberbatch and Shaun Evans.
Wreckers was shot on 16mm last Summer on location in the Fens and outside London.