New photos of Claire in Unsane have been added to the gallery. Enjoy!
By: Anne Marie Scanlon
From Tesco to the Tower and after two coronations, actress Claire Foy has never lost her head
As someone who studied history to post-graduate level, reads history books for fun and gobbles up historical fiction, I was beside myself with excitement when I heard the BBC was dramatising Hilary Mantel’s Wolf Hall, the Man Booker Award winner 2009.
Transferring beloved books onto both the big screen and the small is a notoriously tricky task but director Peter Kosminsky’s adaptation was a unanimous hit.
The casting was superb throughout – from the bit players to Mark Rylance as Cromwell and Damien Lewis as Henry VIII.
To my mind though, Claire Foy, who I had never heard of at the time, stole the show as a magnificent, complicated, wholly credible, Anne Boleyn.
Wolf Hall won many awards and although Foy was nominated for several she didn’t get one gong, when really she should have won ALL the awards.
In person Foy is nothing like Anne Boleyn (probably a good thing), she’s petite and bears a passing resemblance to Henry’s second ill-fated wife, but that’s it. The actress tells me that she was as excited as I was when she heard that Wolf Hall was being made into a TV series (we both agree that Hilary Mantel is a “genius”.)
Continue reading The Queen of the Small Screen Goes Big
By: Ben Barna
Last month, it was announced that Claire Foy would be playing everyone’s favorite Swedish cyberpunk Lisbeth Salander in the upcoming adaptation of The Girl in the Spider’s Web. Landing the coveted role caps off a breakout year for the 33-year-old-British actress, a year in which she also won a Golden Globe for her role as Queen Elizabeth II in Netflix’s popular drama The Crown. This morning, Foy was in New York promoting her new romantic drama Breathe, opposite Andrew Garfield, but was more than willing to discuss how she is approaching a role that was last played by Rooney Mara in The Girl with the Dragon Tattoo, and Noomi Rapace before her.
You’re taking on this iconic role that was portrayed by two other actresses. Do you completely throw those out the window?
I watched them before it was even a twinkle in my eye that I’d be doing this. So I can’t throw that away because I loved those performances and I loved watching them, so I don’t want to. I trained in theater, and if you train in theater, you’re aware that if you play a Shakespeare part, a hundred thousand other women played that part. I don’t really buy that idea. I think the idea with Lisbeth Salander is that she keeps going. It’s sort of like James Bond in the sense that she does keep going. You know it could be a complete disaster, and I’m not Rooney Mara, as much as I would like to be.
Do you have any idea what your look is going to be for the character?
No, I mean it’s my decision, quite frankly. I’m not going play a part where I’m told how to look because that’s weird. I think for me and Fede [Alvarez], the director, our main goal is to start from scratch and not assume anything, not assume that because that’s an iconic image, that therefore that is how I have to look and how I have to be, because I think you’ve got to honor the books, but this is the David Lagercrantz version—it’s a reinvention of the story. And that doesn’t mean we’re going to go mental and start doing all sorts of weird things, but, as with any characters that I build, it has to be from the ground up. It’s got to make sense, it’s got to come from where she is in her life there. Time has moved on, she’s changed, she’s a different woman. She’s been through so many things.
Is she older?
She’s slightly older, yeah. I don’t think it’s actually set because she’s supposed to be timeless. I don’t think she’s 33, which is my age. I’m pretty sure she’s not. If she was, it’d be a whole other story line with aging and wrinkles.
by Matt Grobar
Breaking out with a Golden Globe win and an accompanying Emmy nomination for her portrayal of Queen Elizabeth II in critically acclaimed Netflix drama series The Crown, Claire Foy has quickly risen through the ranks to become one of the most well known and busiest actresses not only in the UK, but in the entertainment community at large. Recently announced to be taking over the role of Lisbeth Salander from Rooney Mara for the upcoming Girl in the Spider’s Web, Foy will vie for a chance at an Oscar this year with her turn in Andy Serkis’ directorial debut, Breathe.
Based on a true story brought to Serkis by producing partner Jonathan Cavendish—the story of the producer’s own parents—the romantic drama centers on Robin Cavendish, who contracts polio while abroad in Africa, attached to a respirator for the rest of his life and supported throughout by his adoring wife, Diana.
Having just completed production on the first season of The Crown when Breathe came around, and with a new baby in tow, Foy initially was looking for a way to say no to the project, hoping to take time away to be with her family. Running into Serkis, her Little Dorrit co-star, in a café and catching up briefly, Foy soon found herself with an offer for the role of Diana—set to star opposite Andrew Garfield—and reading William Nicholson’s script for the film, the opportunity proved too great to turn down.
“I was like, ‘Maybe I just won’t read the script, because I know I’m not going to do it, because I haven’t got the time. I want to go on holiday.’ And the worst thing [my team] ever did was read the script. Bill Nicholson’s script was the most beautiful script I had ever had in my life,” Foy said, sitting down on Friday morning opposite Deadline’s Nancy Tartaglione at the inaugural Contenders London event. “I just read it, beginning to end, and cried—and then I found out it was a true story, and the producer was the child in the story. Then, I met Andrew and I was just like, ‘Oh, god. I walked into this,’ and I just couldn’t not. It was just the most beautiful experience I’ve ever had, really.”
In preparing for the role of Diana, Foy found it crucial to understand the illness of polio and what is required to care for individuals who contract it, speaking first with her own family about the illness, and ultimately meeting with Diana Cavendish herself. “I talked a lot with my family because obviously it’s within living memory, and it’s still around today. I didn’t feel like it was massively important for me to go and meet people who were on a respirator,” the actress shared. “It was important for me to meet Diana, who pretty much is the expert in caring for someone who is on a respirator. It was very important for me to get the technical aspects of caring for someone like that right, but from her perspective, as opposed to polio as a whole.” Continue reading ‘Breathe’s Claire Foy On Lessons Gleaned From Inspirational True-Life Story